{"product_id":"frederick-stock-and-the-chicago-symphony-volume-4-1939-1940-pasc721","title":"FREDERICK STOCK and The Chicago Symphony, Volume 4 (1939-1940) - PASC721","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 38, “Prague”\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eSCHUBERT \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 9, “The Great”\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eR. STRAUSS\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003e Also Sprach Zarathustra\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eTCHAIKOVSKY \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eNutcracker Suite\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 18px;\"\u003eplus music by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eSibelius, Saint-Saëns, Weber, Ippolitov-Ivanov\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio recordings, 1939-40\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 2hr 26:05\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eChicago Symphony Orchestra\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eFrederick Stock\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC721.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\nAfter Frederick Stock’s December, 1930 sessions with the Chicago Symphony\nfor Victor, the label essentially shut down its symphonic recording\nprogram, due to the economic exigencies of the Great Depression. For the\nnext few years, only Stokowski’s Philadelphia Orchestra was recorded with\nany regularity, and that was only made possible by the use of drastically\nreduced forces playing in a small studio. While the Boston Symphony and\nNew York Philharmonic came back to the fold after a few years, the Chicago\nSymphony remained unrecorded for nearly a decade.\n\u003c\/p\u003e\n\u003cp\u003e\nIn November of 1939, Stock and the Chicagoans rejoined their original\nlabel, Columbia, for a new set of recordings. The move came at an\nauspicious moment, for the label had just begun recording directly on\nlacquer master discs, where a wider frequency range than previously\navailable on shellac discs could be captured. Indeed, the first item of\ntheir first session (the \u003cem\u003eNutcracker\u003c\/em\u003e Suite) was the first such\nmaster recording Columbia made. Although at the time the lacquers were\nused for dubbing to standard wax 78 rpm masters, they later serendipitously\nproved to be a sonically superior source for transfer to LPs.\n\u003c\/p\u003e\n\u003cp\u003e\nThe present reissue utilizes, wherever possible, the early 1950s\nremasterings for Columbia’s Entré LP series, taken from quiet, high-quality\nlacquer masters, as the basis for new restorations. Although most of\nStock’s Chicago recordings from this period were reissued in this series, a\nfew never appeared on LP, including \u003cem\u003eAlso Sprach Zarathustra\u003c\/em\u003e and\nthe \u003cem\u003eEuryanthe\u003c\/em\u003e Overture. These have been transferred from their\nonly published source, sonically compromised 78 rpm shellac dubs.\n\u003c\/p\u003e\n\u003cp\u003e\nThe Chicago Symphony that we hear on these recordings is a bit different\nfrom the ensemble on the 1925-30 Victor series. Playing practices had\nchanged over the prior decade, with string portamento now being used more\nsparingly and discreetly. The now 67-year-old Stock conducts with his\ncustomary high energy; but there are fewer examples of the kind of willful,\nidiosyncratic touches he displayed in, for example, his 1927 Tchaikovsky\nFifth (although he still inserts \u003cem\u003eLuftpausen\u003c\/em\u003e to divide sections in\nthe outer movements of the Mozart “Prague”). His interpretations have\nseemed to move a bit more to a somewhat objective middle – if not quite\nToscaniniesque, then at least prefiguring what Fritz Reiner would later\nbring to this orchestra.\n\u003c\/p\u003e\n\u003cp\u003e\nMention of Reiner begs the observation that Stock was the first conductor\nto record \u003cem\u003eAlso Sprach Zarathustra\u003c\/em\u003e with the Chicago Symphony, a\ntradition which was to continue under music directors Artur Rodziński\n(reissued on Pristine PASC 569), Fritz Reiner (twice – 1954, on PASC 411,\nand 1962) and Sir Georg Solti, as well as Pierre Boulez. Concertmaster John\nWeicher played the violin solos on the first three recordings. Stock\nbrings a thoroughly idiomatic sweep and drama to this score (which, oddly,\nnever saw a Columbia LP reissue, even though there was not another\nrecording of the work in the label’s catalog).\n\u003c\/p\u003e\n\u003cp\u003e\nIt is interesting to see so much of the repertoire that was associated with\nLeopold Stokowski’s best-selling recordings with the Philadelphia Orchestra\nchosen for Stock’s Columbia sessions (here, the \u003cem\u003eNutcracker\u003c\/em\u003e Suite,\n\u003cem\u003eSwan of Tuonela\u003c\/em\u003e, \u003cem\u003eDanse Macabre\u003c\/em\u003e, even\n\u003cem\u003e\nProcession of the Sardar\n\u003c\/em\u003e\n). One wonders whether Columbia saw Stock as a good marketing match to\ncounter Stokowski’s Victor repertoire.\n\u003c\/p\u003e\n\u003cp\u003e\nAlong with \u003cem\u003eZarathustra\u003c\/em\u003e, the Schubert Ninth takes pride of place\namong the works presented here as one of Stock’s finest interpretations on\ndisc. \u003cem\u003eFanfare\u003c\/em\u003e critic Mortimer Frank called it “a superb account […]\nwhich, even in today’s heavy competition, would shine as one of the great\nrecordings of the score.” Frank also called attention to “[t]wo aspects\nof the performance [that] are especially interesting: a march-like\ninsistence in the second movement and the playing of the two final measures\nof the first movement strictly in tempo, thereby italicizing their motivic\nrelationship to what has preceded. Toscanini, so far as I can recall, was\nthe only other conductor on record to do this […]”.\n\u003c\/p\u003e\n\u003cp\u003e\nThe recording dates shown are taken from the late Don Tait’s unpublished\nCSO discography, which utilized data from Columbia’s recording logs, some\nof which was missing or ambiguous. The matrix and take numbers of the\nissued 78s bear no relationship to the lacquer masters, and were assigned\nat the time of dubbing.\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMark Obert-Thorn\u003c\/strong\u003e\n\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\n\u003cstrong\u003e\n\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cb\u003eFREDERICK STOCK\u003c\/b\u003e and the Chicago Symphony - Volume 4\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eCD 1\n(74:58)\n\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eTCHAIKOVSKY\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003e Nutcracker Suite\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003e, Op. 71a\u003c\/span\u003e\u003c\/strong\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e1. Miniature Overture (3:05)\u003cbr\u003e2. March (2:19)\u003cbr\u003e3. Dance of the Sugar-Plum Fairy (1:41)\u003cbr\u003e4. Russian Dance (Trepak) (1:05)\u003cbr\u003e5. Arabian Dance (3:38)\u003cbr\u003e6. Chinese Dance (1:10)\u003cbr\u003e7. Dance of the Flutes (2:08)\u003cbr\u003e8. Waltz of the Flowers (6:13)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 28 November 1939 ∙ Matrices: WXCO 26302-2, 26303-2, 26304-2,\n26305-2, 26306-5 \u0026amp; 26307-1 ∙ First issued on Columbia 69799\/803-D\nin album M-395\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eMOZART \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony\nNo. 38 in D major, “Prague”\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003e K.504\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e9. 1st Mvt. - Adagio - Allegro (9:17)\u003cbr\u003e10. 2nd Mvt. - Andante (9:13)\u003cbr\u003e11. 3rd Mvt. - Finale (Presto) (3:55)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 28 November 1939 ∙ Matrices: WXCO 26620-2, 26621-1, 26622-2,\n26623-2, 26624-3 \u0026amp; 26625-3 ∙ First issued on Columbia 11252\/4-D in\nalbum M-410\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eR. STRAUSS\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eAlso Sprach Zarathustra\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003e, Op.\n30\u003c\/span\u003e\u003c\/strong\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e12. Sonnenaufgang (\u003ci\u003eSunrise\u003c\/i\u003e) (1:41)\u003cbr\u003e13. Von den Hinterweltlern (\u003ci\u003eOf the Backworldsmen\u003c\/i\u003e) (3:42)\u003cbr\u003e14. Von den großen Sehnsucht (\u003ci\u003eOf the Great Longing\u003c\/i\u003e) (1:40)\u003cbr\u003e15. Von den Freuden und Leidenschaften (\u003ci\u003eOf Joys and Passions\u003c\/i\u003e) (1:52)\u003cbr\u003e16. Das Grablied (\u003ci\u003eThe Song of the Grave\u003c\/i\u003e) (2:03)\u003cbr\u003e17. Von der Wissenschaft (\u003ci\u003eOf Science and Learning\u003c\/i\u003e) (4:27)\u003cbr\u003e18. Der Genesende (\u003ci\u003eThe Convalescent\u003c\/i\u003e) (4:09)\u003cbr\u003e19. Das Tanzlied (\u003ci\u003eThe Dance Song\u003c\/i\u003e) (7:10)\u003cbr\u003e20. Nachtwandlerlied (\u003ci\u003eSong of the Night Wanderer\u003c\/i\u003e) (4:19)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 17 January 1940 ∙ Matrices: WXCO 26327-1, 26328-1, 26329-1,\n26330-1, 26331-3, 26332-1, 26333-1 \u0026amp; 26334-1 ∙ First issued on\nColumbia 11391\/4 in album M-421\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eCD 2\n(71:11)\n\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n1. \u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eSIBELIUS The Swan of Tuonela\u003c\/span\u003e (from \u003c\/strong\u003e\u003cb\u003e\u003ci\u003eLemminkäinen Legends\u003c\/i\u003e\u003c\/b\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e, Op.\n22)\u003c\/strong\u003e (8:07) \u003cspan style=\"font-size: 12px;\"\u003e\u003cbr\u003eRecorded 28 November 1939 or 17 or 24 January 1940 ∙ Matrices: WXCO\n26720-1 \u0026amp; 26721-3 ∙ First issued on Columbia 11388-D\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n2. \u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eIPPOLITOV-IVANOV\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003e Procession\nof the Sardar\u003c\/span\u003e \u003c\/strong\u003e\u003cstrong\u003e(from \u003cem\u003e\u003ci\u003eCaucasian Sketches\u003c\/i\u003e\u003c\/em\u003e, Op. 10)\u003c\/strong\u003e\u003cem\u003e\u003c\/em\u003e (3:58)\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 17 January 1940 ∙ Matrix: WXCO 26426 ∙ First issued on\nColumbia 11738-D\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n3. \u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eSAINT-SA\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eË\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eNS\nDanse Macabre\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003e, Op. 40\u003c\/span\u003e \u003c\/strong\u003e(6:55) \u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 24 January 1940 ∙ Matrice: WXCO 26411\/2 ∙ First issued on\nColumbia 11251-D\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n4. \u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eWEBER Euryanthe - Overture\u003c\/span\u003e\u003c\/strong\u003e (7:36) \u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 24 January 1940 ∙ Matrices: WXCO 26424-1 \u0026amp; 26425-2 ∙ First\nissued on Columbia 11179-D\n\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eSCHUBERT\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003e Symphony No. 9 in C major, “The Great” \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 18px;\"\u003eD.944\u003c\/span\u003e\u003c\/strong\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e5. 1st Mvt. - Andante - Allegro ma non troppo - Più moto (12:58)\u003cbr\u003e6. 2nd Mvt. - Andante con moto (12:29)\u003cbr\u003e7. 3rd Mvt. - Scherzo. Allegro vivace (7:54)\u003cbr\u003e8. 4th Mvt. - Finale. Allegro vivace (11:10)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 24 January 1940 ∙ Matrices: WXCO 26449-1, 26450-2, 26451-2,\n26452-2, 26453-2, 26454-2, 26455-1, 26456-2, 26457-1, 26458-1 \u0026amp;\n26459-1 ∙ First issued on Columbia 11190\/96-D in album M-403\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 20px;\"\u003eFrederick Stock ∙ Chicago Symphony Orchestra\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\n\u003cstrong\u003eJohn Weicher, \u003cem\u003esolo violin\u003c\/em\u003e \u003c\/strong\u003e\n\n(\u003ci\u003eR. Strauss, Saint-Saëns\u003c\/i\u003e)\u003cbr\u003e\u003cstrong\u003eRobert M. 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